ABOUT / ZAGREB / WORLDWIDE
When the lights go out, we step in.
For more than twenty years, we have shaped the moment when music, technology and an audience become one image.
01 / ORIGIN
It started with music.
We do not add light to a show. We build the show from the music.
The first shows happened in small clubs: modest equipment, long nights and every reason to treat each room as if it were an arena.
Today, the same authored approach travels through sold-out arenas, festivals, theatres and presentations for global brands. The scale changed; our attention to every detail did not.
How we work
From brief to blackout.
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Brief
We start with your music, the event, your venue and your budget. You tell us the audience reaction you want; we tell you what it takes.
Technical plan · setlist · references -
Design & previsualisation
Lighting plot, fixture choice and full 3D pre-visualisation — you see the show before you’ve rented a single piece of gear.
3D previsualisation · plot · patch -
Programming
Every lighting cue is built and synced to timecode in advance, so rehearsals go to polish, not patching.
SMPTE LTC · previsualisation -
Show
Our operators run lighting and lasers live, with a laser safety officer on site and a plan B for everything.
Operated live · safety-cleared
How we think
Four principles we never bend on.
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The song decides
Light serves the music, never the other way around. If a look doesn't help the song, it's cut — however good it looks.
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Safety is a prerequisite
Zone plans, certificates and safety officers for laser productions aren’t overhead — they’re what lets us aim high-power lasers over ten thousand heads.
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Rehearsed, not improvised
Previsualisation and timecode mean the show that’s approved is the one the audience ends up watching. Surprises belong on stage, not in the direction.
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One team, every discipline
Light and lasers designed by the same hands, in the same cue list. That’s why our stage pictures look complementary.
In the press