ABOUT / ZAGREB / WORLDWIDE
When the lights go out, we step in.
For more than twenty years, we have shaped the moment when music, technology and an audience become one image.
01 / ORIGIN
It started with music.
We do not add light to a show. We build the show from the music.
The first shows happened in small clubs: modest equipment, long nights and every reason to treat each room as if it were an arena.
Today, the same authored approach travels through sold-out arenas, festivals, theatres and presentations for global brands. The scale changed; our attention to every cue did not.
How we work
From brief to blackout.
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Brief
We start with your music, your venue and your budget. You tell us what the show has to feel like; we tell you what it takes.
Venue plans · setlist · references -
Design & previz
Rig plot, fixture choice and full 3D previsualisation — you see the show before a single truss is in the air.
3D previz · plots · patch -
Programming
Every cue built and locked to timecode in advance, so rehearsal time is spent polishing, not patching.
SMPTE LTC · previz -
Show
Our operators run lighting and lasers live, with a safety officer on site and a plan B for everything.
Operated live · safety-cleared
How we think
Four things we won't bend on.
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The song decides
Light serves the music, never the other way around. If a look doesn't help the song, it's cut — however good it looks.
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Safety is design
Zoning plans, certificates and safety officers aren't overhead — they're what lets us aim high-power lasers over ten thousand heads.
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Rehearsed, not improvised
Previz and timecode mean the show that was approved is the show that runs. Surprises belong on stage, not at the desk.
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One crew, both crafts
Light and laser designed by the same hands, on the same cue list. That's why our pictures hold together.
In the press