01 / SHOWFILE ARHITEKTURA
Sve je na svom mjestu prije prvog cuea.
Patch, fixture types, preset struktura, sekvence, makroi i korisnički profili grade se tako da show ostane brz, pregledan i siguran i kada je sustav pod najvećim opterećenjem.

Light programming
We program shows on grandMA3 — built in previz, locked to timecode or played live by hand — by operators who know the songs as well as the band does.
| TC | CUE | Action | SYS |
|---|---|---|---|
| 00:00:00:00 | 1.0 | House out — walk-in fades to black | LX |
| 00:00:12:04 | 2.0 | Intro — cyan beam wall builds behind gauze | LX+LSR |
| 00:00:44:19 | 4.2 | First downbeat — full rig hit, magenta fan | LX+LSR+FX |
| 00:01:12:00 | 5.0 | Verse — tight keylight, rig breathes at 60% | LX |
| 00:01:58:10 | 6.1 | Pre-chorus — risers, slow tilt wave | LX+FX |
| 00:02:24:00 | 7.0 | Chorus one — full stage, audience blinders | LX+FX |
| 00:03:10:15 | 8.2 | Bridge — lasers only, single cyan fan | LSR |
| 00:03:58:00 | 9.0 | Chorus two — audience lift, slow spectrum roll | LX |
| 00:04:36:08 | 10.0 | Outro — blackout on the last hit | ALL |
What you get
The show is built in 3D before load-in. Venue time is for focus and polish — not for writing cues at 3 a.m.
Lighting, lasers and video locked to SMPTE timecode, with manual override ready for the moments that breathe.
Structured showfiles, named presets, commented macros. Any programmer can open our file and find their way.
We run the desk on show night — or hand over a file your own operator can run, with a briefing included.
Naši programeri su ekspertni korisnici i instruktori za grandMA2 i grandMA3. Na platformi gradimo i vodimo kompleksne showove za turneje, arene, televiziju i korporativne produkcije.



01 / SHOWFILE ARHITEKTURA
Patch, fixture types, preset struktura, sekvence, makroi i korisnički profili grade se tako da show ostane brz, pregledan i siguran i kada je sustav pod najvećim opterećenjem.
02 / LIVE PROGRAMIRANJE
Programiramo u previzu, poliramo na probi i show vodimo uživo kada glazba traži ljudski osjećaj. Ergonomiju grandMA3 površine poznajemo tako dobro da pažnja ostaje na pozornici, ne na pultu.
03 / INSTRUKTORI
Kao instruktori ne predajemo samo tipke i sintaksu. Gradimo način rada: od mreže i sessiona do čistog showfilea, briefinga gostujućeg operatera i sigurnog backupa.
Why timecode
An audience can't name a single fixture, but it feels when the light lands a frame late. Timecode keeps the whole room on the same frame — every night of the tour, identically.
And where the music is live and loose, we ride it by hand. The skill is knowing which songs want the grid and which want a pulse.
Audience pixels
We program audience LED wristbands — every wrist a pixel. Zone-mapped to the seating plan, driven over RF and locked to the same timecode as lights and lasers, so waves of colour roll across twenty thousand people exactly on the beat.
Izdvojeni radovi
Send the date, the venue and the idea — we come back with a concept and a straight answer on cost.