O NAMA / ZAGREB / WORLDWIDE
Kad se svjetla ugase, mi nastupamo.
Više od dvadeset godina oblikujemo trenutak u kojem glazba, tehnologija i publika postanu jedna slika.
01 / ORIGIN
Sve je počelo glazbom.
Ne dodajemo svjetlo na show. Gradimo ga iz glazbe.
Prve showove radili smo u malim klubovima: malo opreme, duge noći i dovoljno razloga da svaki prostor tretiramo kao arenu.
Danas isti autorski pristup nosimo u rasprodane dvorane, na festivale, kazališne pozornice i predstavljanja globalnih brendova. Skala se promijenila; pažnja prema svakom detalju nije.
How we work
From brief to blackout.
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Brief
We start with your music, your venue and your budget. You tell us what the show has to feel like; we tell you what it takes.
Venue plans · setlist · references -
Design & previsualisation
Rig plot, fixture choice and full 3D previsualisation — you see the show before a single truss is in the air.
3D previsualisation · plots · patch -
Programming
Every cue built and locked to timecode in advance, so rehearsal time is spent polishing, not patching.
SMPTE LTC · predvizualizacija -
Show
Our operators run lighting and lasers live, with a safety officer on site and a plan B for everything.
Operated live · safety-cleared
How we think
Four things we won't bend on.
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The song decides
Light serves the music, never the other way around. If a look doesn't help the song, it's cut — however good it looks.
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Safety is design
Zoning plans, certificates and safety officers aren't overhead — they're what lets us aim high-power lasers over ten thousand heads.
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Rehearsed, not improvised
Previsualisation and timecode mean the show that was approved is the show that runs. Surprises belong on stage, not at the desk.
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One team, every discipline
Light and laser designed by the same hands, on the same cue list. That's why our pictures hold together.
In the press