ÜBER UNS / ZAGREB / WELTWEIT
Wenn das Licht ausgeht, übernehmen wir.
Seit mehr als zwanzig Jahren gestalten wir den Moment, in dem Musik, Technologie und Publikum zu einem Bild werden.
01 / URSPRUNG
Alles begann mit Musik.
Wir fügen einer Show kein Licht hinzu. Wir bauen die Show aus der Musik.
Die ersten Shows entstanden in kleinen Clubs: wenig Equipment, lange Nächte und der Anspruch, jeden Raum wie eine Arena zu behandeln.
Heute führt derselbe gestalterische Ansatz durch ausverkaufte Arenen, Festivals, Theater und Präsentationen globaler Marken. Der Maßstab hat sich verändert; die Sorgfalt bei jedem Cue nicht.
How we work
From brief to blackout.
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Brief
We start with your music, your venue and your budget. You tell us what the show has to feel like; we tell you what it takes.
Venue plans · setlist · references -
Design & previz
Rig plot, fixture choice and full 3D previsualisation — you see the show before a single truss is in the air.
3D previz · plots · patch -
Programming
Every cue built and locked to timecode in advance, so rehearsal time is spent polishing, not patching.
SMPTE LTC · previz -
Show
Our operators run lighting and lasers live, with a safety officer on site and a plan B for everything.
Operated live · safety-cleared
How we think
Four things we won't bend on.
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The song decides
Light serves the music, never the other way around. If a look doesn't help the song, it's cut — however good it looks.
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Safety is design
Zoning plans, certificates and safety officers aren't overhead — they're what lets us aim high-power lasers over ten thousand heads.
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Rehearsed, not improvised
Previz and timecode mean the show that was approved is the show that runs. Surprises belong on stage, not at the desk.
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One crew, both crafts
Light and laser designed by the same hands, on the same cue list. That's why our pictures hold together.
In the press